Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)
£576

Mid-Century Italian 'Sahara' Ceramic Ashtray or Vide Poche by Aldo Londi for Bitossi (circa 1960s)

Bitossi

Ceramics & Objets

SKU 2617

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Mid-century decorative ceramic ashtray (can be used as a vide poche) by Aldo Landi for Bitossi (circa 1960s). From their 'Sahara' range, the colours chosen were intended to be reminiscent of the desert, including the sun, sand and a green oasis. A classic design with loads of charm and character. A very attractive sheen has been applied to the variegated surface which displays lines of geometric shapes. Encircling the work are bands of light brown and green with a circle of orange in the basin centre. With mid-century Italian origins, this piece begs to be displayed prominently for all to admire. In very good overall condition. Mark at the base: 'CER PAOLI'. This refers to Ceramiche Paoli, a Tuscan ceramic workshop active in the mid-20th century. They were one of several independent workshops that produced, decorated, or finished pieces for Bitossi, especially during the 1950s and 60s, when Bitossi frequently collaborated with outside artisans to meet demand or execute specific decorative techniques. Upon request a video will be provided. 

About the Artist: Aldo Londi (1911-2003), nicknamed chiodo (nail), did not come from a family of potters, but showed an early aptitude for working with clay. He apprenticed at Fratelli Fanciullacci aged 11. Within a few years he had gained enough skill to work on his own and began to study decorating. His development was interrupted by military service. In 1940 he was captured by the Allies and imprisoned in South Africa. He remained there for five years, during which time he learnt English and set up a small kiln and rudimentary pottery. His brother-in-law, Marcello Bitossi, encouraged him to join the Bitossi factory. His talents became evident almost immediately, and the family appointed him artistic director, a position that he maintained for three decades until his retirement in 1976 (ref: 'Alla Moda - Italian Ceramics of the 1950s-70s', by Mark Hill).

Dimensions:

Dia 15.7 cm / 6.2"

H 5 cm / 2"

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